Recordings The Pirates of Penzance » Stratford Festival Cast
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Recording Details
Date: 1985
Type: Video / Stage Cast
Language: English
Location: Canada / Stratford
Performer: Stephen Beamish (2) -- Sergeant of police, Brent Carver (10) -- Pirate King, Douglas Chamberlain (3) -- Maj. Gen. Stanley, Pat Galloway -- Ruth, Allison Grant (2) -- Isabel, Jeff Hyslop (4) -- Frederic, Karen Skidmore (3) -- Kate, Caralyn Tomlin -- Mabel, Jim White -- Samuel, Karen Wood (4) -- Edith, Wendy Abbott , Marion Adler (4), Michael Beattie , Aggie Cekuta , Timothy Cruickshank , Domenico Fiore , David Gale (2), Nigel Hamer , Scott Hurst , David Keeley (2), Larry Mannell , Richard March , Dale Mieske , Ruth Nichol (2), Ted Pearson , Jeffrey Prentice , Max Reimer , Lindsay Richardson , Bradley C. Rudy , Mark Wilson
Added by: IrwinK
Recording Releases
Format: DVD
Label: Acorn Media
Released: 2000-02-08
Barcode: 054961348091
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Length: 2:04:00
Added by: IrwinK
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Posted 2007-12-09 15:21:19: Amazon.com : Some stage productions transfer to the small screen better than others; this 1985 performance at Canada's Stratford Festival, with the actors hurling their lines to the last row in the house, has its drawbacks. Much of the broad, broad humor--such as the Pirate King's habit of mangling his words--isn't worth the trouble. Flawless voices are a secondary concern of this production, which includes an exceptional amount of dancing. Jeff Hyslop, who's quite appealing as Frederic, was surely cast for his athletic footwork, not his singing. Though Caralyn Tomlin, as Mabel, has a voice (Mabel doesn't get to do much besides vocalize), she's a screechy cliché of a soprano. As the Pirate King, Brent Carver gives a lively but misguided performance. Carver's King is an exquisitely groomed matinee idol, which drains the surprise (and the comedy) from the idea that this is a ruffian who salutes poetry and reveres the queen. That sort of imprecise thinking weakens the production as a whole.
The most satisfying turns come from the Major-General and the policemen, those characters with the deepest innate humanity. Douglas Chamberlain lets the arcane content of "I Am the Very Model of a Modern Major-General" whiz by in a manic blur (except when he shows off a witty new verse). He treats the song as a tour de force from a man who knows how preposterous his knowledge is and nevertheless takes huge delight in it. It's a charming performance. --David Olivenbaum
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